P-Ln CIC 60

Updated on 13/01/2022
Full reference
Portugal, Lisboa, Biblioteca Nacional de Portugal, CIC 60
Short description
Choirbook in small oblong format, manuscript on paper, origin unknown, [c.1570].
Digital reproduction
External references
Notes

Probably copied from Coimbra-related exemplars.

Bibliography
Alvarenga, João Pedro d’, “On the Transmission of Iberian Polyphonic Music in the Early Decades of the Sixteenth Century: Some Philological Issues Revisited”, Portuguese Journal of Musicology, new series, 6/1 (2019), 5-28 <http://rpm-ns.pt/index.php/rpm/article/view/362/627>, at 22-23
Rees, Owen, Polyphony in Portugal c.1530-c.1620: Sources from the Monastery of Santa Cruz, Coimbra, Outstanding Dissertations in Music from British Universities (New York & London: Garland, 1995), pp. 431-36
Rees, Owen, “Manuscript Lisbon, Biblioteca Nacional, CIC 60: The Repertories and their Context”, Revista Portuguesa de Musicologia, 4-5 (1994–1995), 53-93
Rees, Owen, “Texts and Music in Lisbon BN 60”, Revista de Musicología, 16/3 (1993), 1515-33
Works in this source
Location in source Title Composer
ff. 11v-12r O sacrum convivium Alba, Alonso (Pérez) de
ff. 19v-21r Domine Jesu Christe, qui hora Anchieta, Juan de
ff. 14v-16r O bone Jesu Anchieta, Juan de
ff. 17v-19r Hoc corpus Anonymous
ff. 8v-9r Jerusalem convertere Anonymous
ff. 36v-37r Ninha era la infanta Anonymous
ff. 22v-24r Resurgens Christus Anonymous
ff. 12v-14r Rex autem David Anonymous
ff. 9v-11r Stabat mater Escobar, Pedro de
ff. 3v-5r Ave, vera caro Christi Peñalosa, Francisco de
ff. 7r-8r Ave, vere sanguis Domini Peñalosa, Francisco de
ff. 27v-30r Magnificat, tone 4 Pires, Vasco
ff. 1v-2r Ave Maria Ribera, Antonio de
ff. 30v-32r Magnificat, tone 6 Urrede, Juan de
ff 24v-25r Alleluia, mode 8 [Pires, Vasco]