Bibliography

See the bibliography in Zotero
A (16) B (7) C (9) D (3) E (7) F (14) G (5) H (6) I (5) J (4) K (27) L (7) M (8) N (4) O (1) P (8) Q (1) R (27) S (16) T (3) V (2) W (4) Z (1) All (185)
  • Gregori i Cifré, Josep Maria, “Pere Vila (ca. 1465-1538), organista de les catedrals de Vic i València, probable autor del Magnificat a 4 (BC: M 1167, olim E: TarazC 2/3)”, Revista Catalana de Musicologia, 9 (2018), 31-61
  • Haberkamp, Gertraut, ed, Die weltliche Vokalmusik in Spanien um 1500: Der "Cancionero musical de Colombina" von Sevilla und ausserspanische Handschriften, Münchner Veröffentlichungen zur Musikgeschichte, 12 (Tutzing: Hans Schneider, 1968)
  • Ham, Martin, “‘Rex autem’: Another Iberian Lament in Rhau’s Symphoniae jucundae?”, in Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner, ed. by Tess Knighton and Bernadette Nelson, De Musica, 15 (Kassel: Reichenberger, 2011) pp. 309-26
  • Hamm, Charles, and Herbert Kellman, Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550, 5 vol. (Stuttgart-Neuhausen: Hänssler-Verlag, 1979–1988)
  • Hardie, Jane Morlet, ed, Francisco de Peñalosa: Twenty-Four Motets, Collected Works, 14/1 (Ottawa: The Institute of Mediaeval Music, 1994)
  • Hardie, Jane Morlet, “The Motets of Francisco de Peñalosa and their Manuscript Sources” (unpublished Ph.D. dissertation, University of Michigan, 1983)
  • Hewitt, Helen, and Isabel Pope, eds, Harmonice Musices Odhecaton A, Studies and Documents, 5 (Cambridge, Massachusetts: The Mediaeval Academy of America, 1942)
  • Imrie, Martyn, ed, Francisco de Peñalosa (ca. 1470-1528): Motets for 4 & 5 voices, Mapa Mundi, series A, 72 (Lochs: Vanderbeek & Imrie, 1990)
  • Imrie, Martyn, ed, Francisco de Peñalosa (ca.1470 - 1528): Missa Nunca fué pena mayor, Mapa Mundi, series A, 81 (Lochs: Vanderbeek & Imrie, 1993)
  • Imrie, Martyn, ed, Martín de Ribafrecha: Vox dilecti & Anima mea, Mapa Mundi, series A, 1 (Lochs: Vanderbeek & Imrie, 1992)
  • Imrie, Martyn, ed, Pedro de Escobar (fl. 1507): Memorare Piissima, Mapa Mundi, series A, 224 (Lochs: Vanderbeek & Imrie, 2004)
  • Imrie, Martyn, ed, Pedro de Escobar: Clamabat autem mulier, Mapa Mundi, series A, 3 (Lochs: Vanderbeek & Imrie, 1977)
  • Joaquim, Manuel, ed, O cancioneiro musical e poético da Biblioteca Públia Hortênsia (Coimbra: [n. pub.], 1940)
  • Joaquim, Manuel, “Da origen do canto cristão e sua antiga prática em Portugal”, Boletim Cultural da Câmara Municipal do Porto, 15 (1952), 344-58
  • Jones, Royston Oscar, and Carolyn Lee, Juan de Encina: Poesía lírica y cancionero musical (Madrid: Castalia, 1975)
  • Josephson, Nors S., ed, Early Sixteenth-Century Sacred Music from the Papal Chapel, Corpus Mensurabilis Musicae, 95-2 (Neuhausen-Stuttgart: American Institute of Musicology, Hänssler-Verlag, 1982), ii
  • Kastner, Macario Santiago, “Los manuscritos musicales nos. 48 y 242 de la Biblioteca General de la Universidad de Coimbra”, Anuario Musical, 5 (1950), 78-96
  • Knighton, Tess, and Kenneth Kreitner, The Music of Juan de Anchieta (Abingdon: Routledge, 2019)
  • Knighton, Tess, Gonçalo de Baena: Arte para tanger (Lisboa, 1540) (Lisboa: Edições Colibri, Centro de Estudos de Sociologia e Estética Musical, 2012)
  • Knighton, Tess, Música y músicos en la corte de Fernando el Católico, 1474-1516 (Zaragoza: Institución Fernando el Católico, 2001)
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