Bibliography
See the bibliography in Zotero
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Fallows, David, “I fogli parigini del Cancionero Musical e del manoscritto teorico della Biblioteca Colombina”, Rivista Italiana di Musicologia, 27 (1992), 25-40
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Fellerer, Karl Gustav, ed, Preclassical Polyphony, Anthology of Music, 28 (Cologne: Arno Volk Verlag, Hans Gerig, 1965)
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Fellerer, Karl Gustav, ed, The Motet, Anthology of Music, 47 (Cologne: Arno Volk Verlag, Hans Gerig, 1975)
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Ferreira, Manuel Pedro, ed, Antologia de música em Portugal na Idade Média e no Renascimento, 2 vol. (Lisboa: Arte das Musas, CESEM, 2008)
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Ferreira, Manuel Pedro, ed, Cancioneiro da Biblioteca Públia Hortênsia de Elvas: Edição fac-similada (Lisbon: Instituto Português do Património Cultural, 1989)
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Ferreira, Manuel Pedro, “Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia”, Medievalista Online, 8 (2010) <https://doi.org/10.4000/medievalista.472>
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Finscher, Ludwig, ed, Loyset Compère: Opera Omnia, Corpus Mensurabilis Musicae, 15-4 (Rome: American Institute of Musicology, 1961), IV: Motets
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Freis, Wolfgang, “Cristóbal de Morales and the Spanish Motet in the First Half of the Sixteenth Century: An Analytic Study of Selected Motets by Morales and Competitive Settings in SEV-BC 1 and TARAZ-C 2-3” (unpublished Ph.D. dissertation, The University of Chicago, 1992)
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Freund Schwartz, Roberta, “Love and Liberality? Music in the Courts of the Spanish Nobility”, in Companion to Music in the Age of the Catholic Monarchs, ed. by Tess Knighton (Leiden, Boston: Brill, 2017) pp. 173-204
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Freund Schwartz, Roberta, “Sevilla 5–5–20, Tarazona 2/3 y otras fuentes de la música iberica del siglo XVI: Una reconsideración de relaciones”, in Fuentes musicales en la Península Ibérica (ca. 1250–ca. 1550), ed. by Maricarmen Gómez and Màrius Bernadó (Lleida: Universitat de Lleida, 2001) pp. 203–17
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Freund Schwartz, Roberta, “‘En busca de la liberalidad’: Music and Musicians in the Courts of the Spanish Nobility (1470–1640)” (unpublished Ph.D. dissertation, University of Illinois at Urbana-Champaign, 2001)
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Frey, Herman-Walther, “Regesten zur päpstlichen Kapelle unter Leo X. und zu seiner Privatkapelle”, Die Musikforschung, 8 (1955), 58-73
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Fuhrmann, Wolfgang, and Cristina Urchueguía, eds, The Segovia Manuscript: A European Musical Repertory in Spain, c.1500 (Woodbridge: The Boydell Press, 2019)
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Fuller, Sarah, “Additional Notes on the 15th-Century Chansonnier Bologna Q16”, Musica Disciplina, 23 (1969), 81-103