Nelson, Bernadette, “A Polyphonic Hymn Cycle in Coimbra”, in Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner, ed. by Tess Knighton and Bernadette Nelson (Kassel: Reichenberger, 2011) pp. 167-205

Nelson, Bernadette, “From Anchieta to Guerrero: The Salve Regina in Portuguese Sources and an Unknown Early Spanish Alternatim Setting”, Portuguese Journal of Musicology, new series, 6/1 (2019), 113-56 <http://rpm-ns.pt/index.php/rpm/article/view/375/638>

Nelson, Bernadette, “Urrede’s Legacy and Hymns for Corpus Christi in Portuguese Sources: Aspects of Musical Transmission and Influence”, in Musical Exchanges, 1100-1650: Iberian Connections, ed. by Manuel Pedro Ferreira, Iberian Early Music Studies, 2 (Kassel: Reichenberger, 2016) pp. 89-116

Noone, Michael, and Graeme Skinner, “Toledo Cathedral’s Manuscript Polyphonic Choirbooks ToleBC 18, ToleBC 25, and ToleBC 34 and Their Origins”, in ’New Music’ 1400-1600: Papers from an International Colloquium on the Theory, Authorship and Transmission of Music in the Age of the Renaissance (Lisbon-Évora, 27-29 May 2003), ed. by João Pedro d’ Alvarenga and Manuel Pedro Ferreira (Lisboa, Évora: Centro de Estudos de Sociologia e Estética Musical, Centro de História da Arte e Investigação Artística, 2009) pp. 129-70