Raimundo, Nuno de Mendonça, “O Cancioneiro Musical de Paris: uma nova perspectiva sobre o manuscrito F-Peb Masson 56” (unpublished Master’s thesis, Universidade Nova de Lisboa, 2017) <http://hdl.handle.net/10362/22412>

Rees, Owen, Polyphony in Portugal c.1530-c.1620: Sources from the Monastery of Santa Cruz, Coimbra, Outstanding Dissertations in Music from British Universities (New York & London: Garland, 1995)

Rees, Owen, “Formulaic and Modular Composition in Unattributed Motets in Portuguese Sources”, in The Anatomy of Iberian Polyphony around 1500, ed. by Esperanza Rodríguez-García and João Pedro d’Alvarenga, Iberian Early Music Studies, 5 (Kassel: Reichenberger, 2021) pp. 345-63

Rees, Owen, “Manuscript Lisbon, Biblioteca Nacional, CIC 60: The Repertories and their Context”, Revista Portuguesa de Musicologia, 4-5 (1994–1995), 53-93

Rees, Owen, “Texts and Music in Lisbon BN 60”, Revista de Musicología, 16/3 (1993), 1515-33

Rees, Owen, “The Coimbra Manuscripts and the ‘Spanish Court Repertory’: The Motet Peccavi domine”, in Musical Exchanges, 1100-1650: Iberian Connections, ed. by Manuel Pedro Ferreira, Iberian Early Music Studies, 2 (Kassel: Reichenberger, 2016) pp. 191-208

Rees, Owen, “‘Recalling Cristóbal de Morales to Mind’: Emulation in Guerrero’s Sacrae cantiones of 1555”, in Encomium musicae: Essays in Memory of Robert J. Snow, ed. by David Crawford and Grayson Wagstaff (Hillsdale, NY: Pendragon Press, 2002) pp. 365-94

Reynaud, François, “Le Chansonnier Masson 56 (XVIe siècle) de la bibliothèque des Beaux-Arts de Paris: Description, édition diplomatique des textes, concordances et transcriptions musicales” (unpublished Doctoral dissertation, Université de Poitiers, 1968)

Ribeiro, Mário de Sampaio, Os manuscritos musicais nos. 6 e 12 da Biblioteca Geral da Universidade de Coimbra: Contribuição para um catálogo definitivo, Achegas para a história da música em Portugal, 5 (Coimbra: Biblioteca Geral da Universidade, 1941)

Ribeiro, Mário de Sampaio, “Sôbre o fecho do «Auto da Cananeia»”, Brotéria: Revista contemporânea de cultura, 27 (1938), 321-91

Rodin, Jesse, “Josquin, Ave festiva ferculis (Jos2303)”, The Josquin Research Project, 2014 <https://josquin.stanford.edu/work/?id=Jos2303>

Rodríguez-García, Esperanza, “Tarazona 2/3, Francisco de Peñalosa, and a ‘Dis-attributed’ Credo: New Light on the Origins of the Manuscript”, in The Anatomy of Iberian Polyphony around 1500, ed. by Esperanza Rodríguez-García and João Pedro d’Alvarenga, Iberian Early Music Studies, 5 (Kassel: Reichenberger, 2021) pp. 190-226

Rodríguez-García, Esperanza, “What Did the Composer Antonio de Ribera Learn from Alonso Pérez de Alba at Seville Cathedral? A New Look at Ribera’s Missa sine nomine and Devotional Motets”, Portuguese Journal of Musicology, new series, 6/1 (2019), 29-61 <http://rpm-ns.pt/index.php/rpm/article/view/367>

Romeu Figueras, José, ed, La Música en la Corte de los Reyes Católicos. IV-1. Cancionero Musical de Palacio (siglos XV-XVI). Volumen 3-A, Monumentos de la Música Española, 14-1 (Barcelona: Consejo Superior de Investigaciones Científicas, Instituto Español de Musicología, 1965)

Romeu Figueras, José, ed, La Música En La Corte De Los Reyes Católicos. IV-2. Cancionero Musical De Palacio (siglos XV-XVI). Volumen 3-B, Monumentos De La Música Española, 14-2 (Barcelona: Consejo Superior de Investigaciones Científicas, Instituto Español de Musicología, 1965)

Ros-Fábregas, Emilio, “Manuscripts of Polyphony from the Time of Isabel and Ferdinand”, in Companion to Music in the Age of the Catholic Monarchs, ed. by Tess Knighton (Leiden, Boston: Brill, 2017) pp. 404-68

Ros-Fábregas, Emilio, “Script and Print: The Transmission of Non-Iberian Polyphony in Renaissance Barcelona”, in Early Music Printing and Publishing in the Iberian World, Iain Fenlon and Tess Knighton (Kassel: Reichenberger, 2006) pp. 305–11

Ros-Fábregas, Emilio, “The Manuscript Barcelona, Biblioteca de Catalunya, M. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Traditions” (unpublished Ph.D. dissertation, The City University of New York, 1992)

Rubio, Samuel, ed, Juan de Anchieta: Opera Omnia (San Sebastián: Caja de Ahorros Provincial de Guipúzcoa, 1980)

Ruiz Jiménez, Juan, La librería de canto de órgano: Creación y pervivencia del repertorio del Renacimiento en la actividad musical de la Catedral de Sevilla (Sevilla: Junta de Andalucía, Consejería de Cultura, 2007)