Bibliography
See the bibliography in Zotero
-
Nelson, Bernadette, “A Polyphonic Hymn Cycle in Coimbra”, in Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner, ed. by Tess Knighton and Bernadette Nelson (Kassel: Reichenberger, 2011) pp. 167-205
-
Nelson, Bernadette, “From Anchieta to Guerrero: The Salve Regina in Portuguese Sources and an Unknown Early Spanish Alternatim Setting”, Portuguese Journal of Musicology, new series, 6/1 (2019), 113-56 <http://rpm-ns.pt/index.php/rpm/article/view/375/638>
-
Nelson, Bernadette, “Urrede’s Legacy and Hymns for Corpus Christi in Portuguese Sources: Aspects of Musical Transmission and Influence”, in Musical Exchanges, 1100-1650: Iberian Connections, ed. by Manuel Pedro Ferreira, Iberian Early Music Studies, 2 (Kassel: Reichenberger, 2016) pp. 89-116
-
Noone, Michael, and Graeme Skinner, “Toledo Cathedral’s Manuscript Polyphonic Choirbooks ToleBC 18, ToleBC 25, and ToleBC 34 and Their Origins”, in ’New Music’ 1400-1600: Papers from an International Colloquium on the Theory, Authorship and Transmission of Music in the Age of the Renaissance (Lisbon-Évora, 27-29 May 2003), ed. by João Pedro d’ Alvarenga and Manuel Pedro Ferreira (Lisboa, Évora: Centro de Estudos de Sociologia e Estética Musical, Centro de História da Arte e Investigação Artística, 2009) pp. 129-70
-
Oliveira, Filipe Mesquita de, “A génese do tento para instrumentos de tecla no testemunho dos manuscritos P-Cug MM 48 e MM 242 (com uma edição crítica dos ricercari de Jacques Buus e das suas versões recompostas)” (unpublished Doctoral dissertation, Universidade de Évora, 2011) <https://dspace.uevora.pt/rdpc/handle/10174/3806>
-
Pascual Barea, Joaquín, “El músico y poeta Pedro Fernández de Castilleja, maestro de capilla y de gramática griega y latina en Sevilla (c.1487-1574)”, Calamus Renascens: Revista de Humanismo y Tradición Clásica, 2 (2001), 311-46
-
Pease, Edward, “A Report on Codex Q16 of the Civico Museo Bibliografico Musicale (formerly of the Conservatorio Statale Di Musica ‘G. B. Martini’), Bologna”, Musica Disciplina, 20 (1966), 57-94
-
Perales de la Cal, Ramón, ed, Cancionero de la Catedral de Segovia: Edición facsimilar del códice de la Santa Iglesia Catedral de Segovia (Segovia: Caja de Ahorros y Monte de Piedad, 1977)
-
Pinho, Ernesto Gonçalves de, Santa Cruz de Coimbra, centro de actividade musical nos séculos XVI e XVII (Lisboa: Fundação Calouste Gulbenkian, 1981)
-
Porto, Hugo Filipe Teles, “Os cantores na administração nos reinados de D. Manuel I e de D. João III” (unpublished Master thesis, Universidade Nova de Lisboa, 2014)
-
Prats Redondo, Consuelo, “Música y músicos en la catedral de Murcia entre 1600-1750” (unpublished Doctoral dissertation, Universidad de Murcia, 2009)
-
Preciado, Dionisio, ed, Francisco de Peñalosa (ca. 1470-1528). Opera Omnia. Vol. I: Motetes (Madrid: Sociedad Española de Musicología, 1986)
-
Puentes-Blanco, Andrea, “Música y devoción en Barcelona (ca. 1550-1626): estudio de libros de polifonía, contextos y prácticas musicales” (unpublished Doctoral dissertation, Universitat de Barcelona, 2018)
-
Pujol, Emilio, ed, Alonso Mudarra: Tres libros de música en cifra para vihuela (Sevilla, 1546), Monumentos de la Música Española, 7, reprint (Barcelona: Consejo Superior de Investigaciones Científicas, Instituto Español de Musicología, 1984)
-
Querol Gavaldá, Miguel, ed, Cancionero Musical de la Colombina (siglo XV), Monumentos de la Música Española, 33 (Barcelona: Consejo Superior de Investigaciones Científicas, Instituto Español de Musicología, 1971) <http://libros.csic.es/product_info.php?products_id=1140>
-
Raimundo, Nuno de Mendonça, “O Cancioneiro Musical de Paris: uma nova perspectiva sobre o manuscrito F-Peb Masson 56” (unpublished Master’s thesis, Universidade Nova de Lisboa, 2017) <http://hdl.handle.net/10362/22412>
-
Rees, Owen, Music by Pedro de Cristo: An Edition of the Motets from Coimbra, Biblioteca Geral da Universidade, MM 33 (Amsterdam: Harwood Academic Publishers, 1998)
-
Rees, Owen, Polyphony in Portugal c.1530-c.1620: Sources from the Monastery of Santa Cruz, Coimbra, Outstanding Dissertations in Music from British Universities (New York & London: Garland, 1995)
-
Rees, Owen, “Formulaic and Modular Composition in Unattributed Motets in Portuguese Sources”, in The Anatomy of Iberian Polyphony around 1500, ed. by Esperanza Rodríguez-García and João Pedro d’Alvarenga, Iberian Early Music Studies, 5 (Kassel: Reichenberger, 2021) pp. 345-63
-
Rees, Owen, “Manuscript Lisbon, Biblioteca Nacional, CIC 60: The Repertories and their Context”, Revista Portuguesa de Musicologia, 4-5 (1994–1995), 53-93