Domine Jesu Christe, qui hora

Composer

Anchieta, Juan de

Reference source

E-SE s.s., ff. 94v-95r

Musical parameters

Voices	Mensuration	Clefs	Signature	Final
4	e	c2c4c4f4	A	D

Edition

Score

Editor

J. P. d'Alvarenga

Other modern editions

Elústiza, Juan B. de, and Gonzalo Castrillo Hernández, Antología musical: Polifonía vocal, siglos XV y XVI (Barcelona: Rafael Casulleras, 1933), pp. 1-4

Hardie, Jane Morlet, ed, Francisco de Peñalosa: Twenty-Four Motets, Collected Works, 14/1 (Ottawa: The Institute of Mediaeval Music, 1994), no. 7, pp. 42-48

Hardie, Jane Morlet, “The Motets of Francisco de Peñalosa and their Manuscript Sources” (unpublished Ph.D. dissertation, University of Michigan, 1983), no. 7, pp. 356-61

Rubio, Samuel, ed, Juan de Anchieta: Opera Omnia (San Sebastián: Caja de Ahorros Provincial de Guipúzcoa, 1980), no. 3, pp. 78-82

Bibliography

Alvarenga, João Pedro d’, “Juan de Anchieta and the Iberian Motet around 1500”, Acta Musicologica, 91/1 (2019), 21-47, at 26-33

Knighton, Tess, and Kenneth Kreitner, The Music of Juan de Anchieta (Abingdon: Routledge, 2019), pp. 88-91

Text details

Domine Jesu Christe, qui hora

Sources including this piece

Source	Location in source	Attribution and other inscriptions	Notes
E-Sco 5-5-20	ff. 18v-19r	Ancheta	—
E-SE s.s.	ff. 94v-95r	Johãnes ancheta	Presented in two partes (2 p. Fac nos quaesumus)
E-TZ 2/3	ff. 279v-280r	JO ancheta	—
E-TZ 5	ff. 85v-87r	Peñalosa	—
E-V 5	ff. 75v-77r	—	Att. to Anchieta in later pencil
E-Vp s.s.	f. 95r	JO ancheta	Incomplete: A and B parts only
P-Cug MM 012	ff. 191v-192r	—	—
P-Cug MM 032	ff. 23v-24r	—	—
P-Ln CIC 60	ff. 19v-21r	—	—