Magnificat, tone 6
Updated on 01/02/2022- Text incipit
- Composer
- Reference source
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E-Bbc M. 1167, f. 4vE-TZ 2/3, ff. 62r-64r (continuing the above)
- Musical parameters
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Sections/Movements Voices Mensuration Clefs Signature Final 2. Et exsultavit 4h c1c3c4c4 - F4. Quia fecit 2e c1c3 - F6. Fecit potentiam 4h c1c3c4c4 - F8. Esurientes 2e c1c3 - F10. Sicut locutus est 4c c1c3c4c4 - F12. Sicut erat 2e c3c4 - F - Edition
- Editor
- Other modern editions
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PA 20, no. 6, pp. 93-99
Esteve Roldán, Eva, ed, Magníficat a tres y cuatro voces del ms. 2/3 (c. 1520) de la Catedral de Tarazona. Obras de Pedro do Porto, Rodrigo de Morales, Antonio Marlet, Juan de Anchieta, Pere Vila y Pedro o Alonso Hernández de Tordesillas, Polifonía Aragonesa, 20 (Zaragoza: Institución Fernando el Católico, 2017) - Bibliography
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Kreitner, Kenneth, “The Tordesillas Perplex”, in The Anatomy of Iberian Polyphony around 1500, ed. by Esperanza Rodríguez-García and João Pedro d’Alvarenga, Iberian Early Music Studies, 5 (Kassel: Reichenberger, 2021) pp. 15-26
- Sources including this piece
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Source Location in source Attribution and other inscriptions Notes E-Bbc M. 1167 f. 4vTordesillas.- Originally f. 61v of E-TZ 2/3
E-TZ 2/3 ff. 62r-64r—- —
Et exsultavit
K. Kreitner