Magnificat, tone 6

Updated on 01/02/2022

Text incipit
Composer
Reference source: E-Bbc M. 1167, f. 4v

E-TZ 2/3, ff. 62r-64r (continuing the above)
Musical parameters: Sections/Movements Voices Mensuration Clefs Signature Final

2. Et exsultavit
4
h c1c3c4c4 -
F

4. Quia fecit
2
e c1c3 -
F

6. Fecit potentiam
4
h c1c3c4c4 -
F

8. Esurientes
2
e c1c3 -
F

10. Sicut locutus est
4
c c1c3c4c4 -
F

12. Sicut erat
2
e c3c4 -
F
Edition: Score
Editor
Other modern editions: PA 20, no. 6, pp. 93-99
Esteve Roldán, Eva, ed, Magníficat a tres y cuatro voces del ms. 2/3 (c. 1520) de la Catedral de Tarazona. Obras de Pedro do Porto, Rodrigo de Morales, Antonio Marlet, Juan de Anchieta, Pere Vila y Pedro o Alonso Hernández de Tordesillas, Polifonía Aragonesa, 20 (Zaragoza: Institución Fernando el Católico, 2017)
Bibliography: Kreitner, Kenneth, “The Tordesillas Perplex”, in The Anatomy of Iberian Polyphony around 1500, ed. by Esperanza Rodríguez-García and João Pedro d’Alvarenga, Iberian Early Music Studies, 5 (Kassel: Reichenberger, 2021) pp. 15-26
Sources including this piece: Source Location in source Attribution and other inscriptions Notes

E-Bbc M. 1167
f. 4v

Tordesillas.

Originally f. 61v of E-TZ 2/3

E-TZ 2/3
ff. 62r-64r

—

—; Originally f. 61v of E-TZ 2/3; —

Sections/Movements	Voices	Mensuration	Clefs	Signature	Final
2. Et exsultavit	4	h	c1c3c4c4	-	F
4. Quia fecit	2	e	c1c3	-	F
6. Fecit potentiam	4	h	c1c3c4c4	-	F
8. Esurientes	2	e	c1c3	-	F
10. Sicut locutus est	4	c	c1c3c4c4	-	F
12. Sicut erat	2	e	c3c4	-	F

Source	Location in source	Attribution and other inscriptions	Notes
E-Bbc M. 1167	f. 4v	Tordesillas.	Originally f. 61v of E-TZ 2/3
E-TZ 2/3	ff. 62r-64r	—	—