Magnificat, tone 6
Updated on 15/08/2020- Text incipit
- Composer
- Reference source
-
P-Cug MM 012, ff. 173v-179r
- Musical parameters
-
Sections/Movements Voices Mensuration Clefs Signature Final 2. Et exsultavit 4c c1c3c4f3 - F4. Quia fecit 2e c1c3 - F6. Fecit potentiam 4c c1c2c4f3 - F8. Esurientes 2e c1c4 - F10. Sicut locutus 4h c2c2c4f3 - F12. Sicut erat 2e c4f3 - F - Edition
- Editor
- Other modern editions
-
Knighton, Tess, Gonçalo de Baena: Arte para tanger (Lisboa, 1540) (Lisboa: Edições Colibri, Centro de Estudos de Sociologia e Estética Musical, 2012), pp. 153-61 (verses 6 and 8, including vocal reconstructions)
- Bibliography
-
Kreitner, Kenneth, The Church Music of Fifteenth-Century Spain, Studies in Medieval and Renaissance Music (Woodbridge: The Boydell Press, 2004), pp. 70-72
- Sources including this piece
-
Source Location in source Attribution and other inscriptions Notes Baena 1540 ff. 13v-15rJoannes vrrede. Quia fecit. Del sexto (tabla), J. Urede. Do sesto toõ (f. 13v), Joannes vrrede. Esurientes. Del sexto (tabla), J. Urede (f. 14v)- Verses 4 and 8 only
F-Pn NAF 4379 ff. 86v-92r—- Added voice-part in verses 4 and 12
P-Cug MM 012 ff. 173v-179rJoannes vtrede. Sextus tonus- —
P-Ln CIC 60 ff. 30v-32r—- Verses 4 and 8 only
Et exsultavit
J. P. d'Alvarenga