Gabriel angelus

Updated on 01/02/2022

Composer
Reference source: P-Cug MM 012, ff. 200v-201r
Musical parameters: Voices Mensuration Clefs Signature Final

4
e c2c3c4f4 B
G
Edition: Score Commentary
Editor
Notes: This piece has stylistic similarities with motets by Antonio de Ribera (see Rees 2016, p. 193).
Bibliography: Rees, Owen, “Formulaic and Modular Composition in Unattributed Motets in Portuguese Sources”, in The Anatomy of Iberian Polyphony around 1500, ed. by Esperanza Rodríguez-García and João Pedro d’Alvarenga, Iberian Early Music Studies, 5 (Kassel: Reichenberger, 2021) pp. 345-63
Text details
Sources including this piece: Source Location in source Attribution and other inscriptions Notes

P-Cug MM 012
ff. 200v-201r

—

—

P-Cug MM 032
ff. 26v-27r

—

One flat on B in the key-signature of all voice-parts; no flat on E in the key-signature of the Bassus part as it appears in P-Cug MM 012; —; One flat on B in the key-signature of all voice-parts; no flat on E in the key-signature of the Bassus part as it appears in P-Cug MM 012

Source	Location in source	Attribution and other inscriptions	Notes
P-Cug MM 012	ff. 200v-201r	—	—
P-Cug MM 032	ff. 26v-27r	—	One flat on B in the key-signature of all voice-parts; no flat on E in the key-signature of the Bassus part as it appears in P-Cug MM 012