Baena 1540
Updated on 21/08/2020- Full reference
- Short description
- Digital reproduction
- Notes
The only extant copy (with siglum E-Mp VIII/1816) was 'rediscovered' by Alejandro Luis Iglesias in 1992.
Knighton's 2012 book includes a critical edition of the full content and vocal reconstructions of the works that had no modern edition available.
- Bibliography
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Knighton, Tess, “Gonçalo de Baena’s Arte para tanger (Lisboa, 1540): Local and International Repertories”, in Musical Exchanges, 1100-1650: Iberian Connections, ed. by Manuel Pedro Ferreira, Iberian Early Music Studies, 2 (Kassel: Reichenberger, 2016) pp. 209-39Knighton, Tess, Gonçalo de Baena: Arte para tanger (Lisboa, 1540) (Lisboa: Edições Colibri, Centro de Estudos de Sociologia e Estética Musical, 2012)Knighton, Tess, “A newly discovered keyboard source (Gonzalo de Baena’s Arte nouamente inuentada pera aprender a tanger, Lisbon, 1540): A preliminary report”, Plainsong and Medieval Music, 5/1 (1996), 81-112
- Works in this source
Location in source Title Composer ff. 50r-52r Clamabat autem mulier Escobar, Pedro de ff. 13v-15r Magnificat, tone 6 Urrede, Juan de
Baena, Gonçalo de, Arte nouamente inuentada pera aprender a tanger (Lisboa: German Galharde, 1540)
Printed book of keyboard tablature.