Alleluia, mode 8

Updated on 15/08/2020

Composer
Reference source: P-Cug MM 012, ff. 59v-60r
Musical parameters: Voices Mensuration Clefs Signature Final

3
e c2c4f3 -
C
Edition: Score Commentary
Editor
Bibliography: Alvarenga, João Pedro d’, “Some Identifying Features of Late Fifteenth- and Early Sixteenth-Century Portuguese Polyphony”, in Musical Exchanges, 1100-1650: Iberian Connections, ed. by Manuel Pedro Ferreira, Iberian Early Music Studies, 2 (Kassel: Reichenberger, 2016) pp. 165-90
Sources including this piece: Source Location in source Attribution and other inscriptions Notes

P-Cug MM 009
ff. 110v-111r

Octaua antigua (f. 111r)

—

P-Cug MM 012
ff. 59v-60r

Octaua antigua (index)

Inserted between the G and C of Pedro de Escobar's Missa sine nomine

P-Ln CIC 60
ff 24v-25r

—

With verse texts 'Christus resurgens' in the top voice and 'Pascha nostra' in the two lower voices; —; Inserted between the G and C of Pedro de Escobar's Missa sine nomine; With verse texts 'Christus resurgens' in the top voice and 'Pascha nostra' in the two lower voices

Source	Location in source	Attribution and other inscriptions	Notes
P-Cug MM 009	ff. 110v-111r	Octaua antigua (f. 111r)	—
P-Cug MM 012	ff. 59v-60r	Octaua antigua (index)	Inserted between the G and C of Pedro de Escobar's Missa sine nomine
P-Ln CIC 60	ff 24v-25r	—	With verse texts 'Christus resurgens' in the top voice and 'Pascha nostra' in the two lower voices