Gloria Spiritus et alme
Updated on 15/08/2020- Text incipit
- Composer
- Reference source
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V-CVbav Capp. Sist. 14, ff. 8v-10r
- Musical parameters
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Sections/Movements Voices Mensuration Clefs Signature Final 1. Et in terra pax 4c c2c4c4f4 - D2. Qui tollis 4a c2c4c4f4 - A3.1. Quoniam tu solus 2e c2f4 - D3.2. Jesu Christe 4e c2c4c4f4 - A4. Cum sancto spiritu 4c c2c4c4f4 - D - Edition
- Editor
- Special musical devices
- Notes
Usually presented as a pair with the Kyrie that precedes it in the source.
- Other modern editions
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Josephson, Nors S., ed, Early Sixteenth-Century Sacred Music from the Papal Chapel, Corpus Mensurabilis Musicae, 95-2 (Neuhausen-Stuttgart: American Institute of Musicology, Hänssler-Verlag, 1982), ii, no. 31, pp. 139-46Sherr, Richard, ed, Masses for the Sistine Chapel: Vatican City, Biblioteca Apostolica Vaticana, Cappella Sistina, Ms 14, Monuments of Renaissance Music, 13 (Chicago: University of Chicago Press, 2009), no. 3
- Text details
- Sources including this piece
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Source Location in source Attribution and other inscriptions Notes V-CVbav Capp. Sist. 14 ff. 8v-10r—- —
Et in terra pax
J. P. d'Alvarenga
This setting is based on the Gloria IX chant including the most common version of the Marian trope Spiritus et alme.