Pange lingua I
Updated on 17/11/2020- Composer
- Reference source
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E-Bbc M. 454, ff. 148v-149r
- Musical parameters
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Voices Mensuration Clefs Signature Final 4c c1c3c4c5 A F - Edition
- Editor
- Special musical devices
- Notes
The text of verse 1 is underlaid in all four parts; in E-Bbc M. 454, verses 3, 'In supremae nocte', and 5, 'Tantum ergo', are fully written out on f. 148v between the S and T voice parts and on f. 149r below the B voice part.
This piece survives in some fifty sources from the Iberian Peninsula and the New World, ranging from the early 16th to the late 19th century. For a non-exhaustive list of these sources, see Kreitner's 2004 article referred to below, p. 13, table 4. On the version in P-Pm MM 40, see Nelson (2016), pp. 113-15.
- Other modern editions
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Gerber, Rudolf, ed, Spanische Hymnar um 1500, Das Chorwerk, 60 (Wolfenbüttel: Möseler Verlag, 1957), pp. 17-19, based on E-TZ Ms. 2/3Turner, Bruno, ed, Five Spanish Liturgical Hymns complete with their mensural chants as set by Francisco Peñalosa and Johannes Wreede/Juan de Urreda, Mapa Mundi, Series A, 90 (Lochs: Vanderbeek & Imrie, 1996), pp. 19-21, based on E-TZ Ms. 2/3
- Bibliography
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Esteve Roldán, Eva, “La creación de un himno para la Nueva Hispania”, in Juana I en Tordesillas: su mundo, su entorno, ed. by Miguel Ángel Zalama (Valladolid: Grupo Página, 2010) pp. 395-406Kreitner, Kenneth, The Church Music of Fifteenth-Century Spain, Studies in Medieval and Renaissance Music (Woodbridge: The Boydell Press, 2004), pp. 72-78Kreitner, Kenneth, “The Musical Warhorses of Juan de Urrede”, Fontes Artis Musicae, 51 (2004), 1-18Nelson, Bernadette, “Urrede’s Legacy and Hymns for Corpus Christi in Portuguese Sources: Aspects of Musical Transmission and Influence”, in Musical Exchanges, 1100-1650: Iberian Connections, ed. by Manuel Pedro Ferreira, Iberian Early Music Studies, 2 (Kassel: Reichenberger, 2016) pp. 89-116
- Sources including this piece
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Source Location in source Attribution and other inscriptions Notes E-Bbc M. 454 ff. 148v-149r—- —
E-TZ 2/3 ff. 9v-10rvrreda Jn festo corporis christi hymnus (f. 9v), Jo. Vrede (tabla)- Clefs are c1c3c3f3 and the stave signature has one flat in all voice-parts
P-Pm MM 40 ff. 241v-242rIn festo corporis xpj.- The same as above
J. P. d'Alvarenga
The piece uses the entire more hispanum chant as a structuring cantus firmus in the Tenor.