Missa sine nomine

Updated on 21/08/2020

Text incipit
Composer
Reference source: E-TZ 2/3, ff. 152v-160r
Musical parameters: Sections/Movements Voices Mensuration Clefs Signature Final

1. Kyrie
4
e c2c4c4f4 -
D

2. Et in terra pax (Gloria)
4
e v n c2c3c4f4 -
D

3. Patrem omnipotentem (Credo)
4
e v c2c3c4f4 -
D

4. Sanctus
4
e c2c4c4f4 -
D

5. Agnus Dei
4
e c2c4c4f4 -
D
Edition: Score
Editor
Special musical devices
Notes: The Gloria concordance in P-Cug MM 012 belongs to a composite mass, the layout of which is clarified in Kreitner 2014 and Rodríguez-García 2019.
Bibliography: Kreitner, Kenneth, “Spain Discovers the Mass”, Journal of the Royal Musical Association, 139/2 (2014), 261-302

Rodríguez-García, Esperanza, “What Did the Composer Antonio de Ribera Learn from Alonso Pérez de Alba at Seville Cathedral? A New Look at Ribera’s Missa sine nomine and Devotional Motets”, Portuguese Journal of Musicology, new series, 6/1 (2019), 29-61 <http://rpm-ns.pt/index.php/rpm/article/view/367>

Kreitner, Kenneth, “The Tordesillas Perplex”, in The Anatomy of Iberian Polyphony around 1500, ed. by Esperanza Rodríguez-García and João Pedro d’Alvarenga, Iberian Early Music Studies, 5 (Kassel: Reichenberger, 2021) pp. 15-26, forthcoming
Sources including this piece: Source Location in source Attribution and other inscriptions Notes

E-TZ 2/3
ff. 152v-160r

An. de Ribera (f. 152v) Antonio Ribera (tabla)

Mass copied as a unit in E-TZ 2/3. Attribution only in the Kyrie, assumed to apply to all movements (as indicated in the tabla)

P-Cug MM 012
ff. 91v-93r

-:DE: RIBEIRA:- (f. 90v) RIBEIRA (f. 91r)

Only the Gloria. The attribution appears on the Kyrie (ff. 90v-91r) of a composite mass. However, the Kyrie, Credo and Sanctus are by Tordesillas.; Mass copied as a unit in E-TZ 2/3. Attribution only in the Kyrie, assumed to apply to all movements (as indicated in the tabla); Only the Gloria. The attribution appears on the Kyrie (ff. 90v-91r) of a composite mass. However, the Kyrie, Credo and Sanctus are by Tordesillas.

Sections/Movements	Voices	Mensuration	Clefs	Signature	Final
1. Kyrie	4	e	c2c4c4f4	-	D
2. Et in terra pax (Gloria)	4	e v n	c2c3c4f4	-	D
3. Patrem omnipotentem (Credo)	4	e v	c2c3c4f4	-	D
4. Sanctus	4	e	c2c4c4f4	-	D
5. Agnus Dei	4	e	c2c4c4f4	-	D

Source	Location in source	Attribution and other inscriptions	Notes
E-TZ 2/3	ff. 152v-160r	An. de Ribera (f. 152v) Antonio Ribera (tabla)	Mass copied as a unit in E-TZ 2/3. Attribution only in the Kyrie, assumed to apply to all movements (as indicated in the tabla)
P-Cug MM 012	ff. 91v-93r	-:DE: RIBEIRA:- (f. 90v) RIBEIRA (f. 91r)	Only the Gloria. The attribution appears on the Kyrie (ff. 90v-91r) of a composite mass. However, the Kyrie, Credo and Sanctus are by Tordesillas.