Magnificat, tone 8
Updated on 18/08/2020- Text incipit
- Composer
- Reference source
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E-TZ 2/3, ff. 21v-24r
- Musical parameters
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Sections/Movements Voices Mensuration Clefs Signature Final 2. Et exsultavit 3e c1c3c4 - G4. Quia fecit 3e c1c3c4 - G6. Fecit potentiam 3e c1c3c4 - G8. Esurientes 3e c1c3c4 - G10. Sicut locutus est 3e c1c3c4 - G12. Sicut erat 3e v c1c3c4 - G - Edition
- Editor
- Other modern editions
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Alexander, Peter Marquis, “The Motets of Pedro Escobar” (unpublished MA thesis, Indiana University, 1976), pp. 204-10Joaquim, Manuel, “Da origen do canto cristão e sua antiga prática em Portugal”, Boletim Cultural da Câmara Municipal do Porto, 15 (1952), 344-58, at 356-58
PA 20, no. 1, pp. 39-46
Esteve Roldán, Eva, ed, Magníficat a tres y cuatro voces del ms. 2/3 (c. 1520) de la Catedral de Tarazona. Obras de Pedro do Porto, Rodrigo de Morales, Antonio Marlet, Juan de Anchieta, Pere Vila y Pedro o Alonso Hernández de Tordesillas, Polifonía Aragonesa, 20 (Zaragoza: Institución Fernando el Católico, 2017)PM 37, no. 1, pp. 1-8
Stevenson, Robert, Luís Pereira Leal, and Manuel Morais, eds, Antologia de polifonia portuguesa 1490-1680, Portugaliae Musica, 37 (Lisboa: Fundação Calouste Gulbenkian, 1982)Stevenson, Robert, “Pedro de Escobar among Spanish Musicologists”, Inter-American Music Review, 15/1 (1996), 53-145, at 82-89 - Sources including this piece
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Source Location in source Attribution and other inscriptions Notes E-TZ 2/3 ff. 21v-24r.porto.- —
Et exsultavit
J. P. d'Alvarenga