Sub tuum praesidium

Composer

Escobar, Pedro de

Reference source

E-TZ 2/3, ff. 247v-248r

Musical parameters

Voices	Mensuration	Clefs	Signature	Final
3	e v e	c3c4f4	D	G

Edition

Score

Editor

T. Knighton

Other modern editions

Alexander, Peter Marquis, “The Motets of Pedro Escobar” (unpublished MA thesis, Indiana University, 1976), no. 16, pp. 245-47

Freis, Wolfgang, “Cristóbal de Morales and the Spanish Motet in the First Half of the Sixteenth Century: An Analytic Study of Selected Motets by Morales and Competitive Settings in SEV-BC 1 and TARAZ-C 2-3” (unpublished Ph.D. dissertation, The University of Chicago, 1992), pp. 511-14

PA 15, no. 4

Calahorra Martínez, Pedro, ed, Obras a tres voces del ms. 2-3 (ss. XV-XVI) de la catedral de Tarazona, Polifonía Aragonesa, 15 (Zaragoza: Institución Fernando el Católico, 2007)

Stevenson, Robert, “Pedro de Escobar among Spanish Musicologists”, Inter-American Music Review, 15/1 (1996), 53-145, at 96-98

Bibliography

Wagstaff, Grayson, “Pedro de Escobar, Polyphonic Liturgical Genres, and Local Traditions in Early Sixteenth-Century Seville”, in The Anatomy of Iberian Polyphony around 1500, ed. by Esperanza Rodríguez-García and João Pedro d’Alvarenga, Iberian Early Music Studies, 5 (Kassel: Reichenberger, 2021) pp. 27-48

Sources including this piece

Source	Location in source	Attribution and other inscriptions	Notes
E-TZ 2/3	ff. 247v-248r	.escobar.	—