Precor te, Domine (medium version)
Updated on 22/07/2021- Composer
- Reference source
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E-TZ 2/3, ff. 261v-262r
- Musical parameters
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Sections/Movements Voices Mensuration Clefs Signature Final 1. Precor te, Domine 4j c3c4f3f4 D C2. Cum inclinato capite 4j c3c4f3f4 D C - Edition
- Editor
- Other modern editions
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Eslava, Hilarión, ed, Lira Sacro-Hispana: Gran colección de obras de música religiosa, 10 vol. (Madrid: M. Martín Salazar, 1852–1860), i, no. 10, pp. 53-59Hardie, Jane Morlet, ed, Francisco de Peñalosa: Twenty-Four Motets, Collected Works, 14/1 (Ottawa: The Institute of Mediaeval Music, 1994), no. 18, pp. 114-22Preciado, Dionisio, ed, Francisco de Peñalosa (ca. 1470-1528). Opera Omnia. Vol. I: Motetes (Madrid: Sociedad Española de Musicología, 1986), pp. 159-170
- Bibliography
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Alvarenga, João Pedro d’, “On the Transmission of Iberian Polyphonic Music in the Early Decades of the Sixteenth Century: Some Philological Issues Revisited”, Portuguese Journal of Musicology, new series, 6/1 (2019), 5-28 <http://rpm-ns.pt/index.php/rpm/article/view/362/627>Hardie, Jane Morlet, “The Motets of Francisco de Peñalosa and their Manuscript Sources” (unpublished Ph.D. dissertation, University of Michigan, 1983), esp. pp. 134-37 and 300-04, with an edition of the motet at pp. 419-27 (no. 17)Kreitner, Kenneth, “Peñalosa, ‘Precor te’, and Us”, in Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner, ed. by Tess Knighton and Bernadette Nelson, De Musica, 15 (Kassel: Reichenberger, 2011) pp. 291-308
- Versions of this piece
- Sources including this piece
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Source Location in source Attribution and other inscriptions Notes E-Bbc M. 454 ff. 66v-67vPenyalosa- —
E-Tc 21 ff. 87v-90rPEÑALOSA- —
E-TZ 2/3 ff. 261v-262r.p.losa.- —
J. P. d'Alvarenga