Magnificat, tone 4

Updated on 15/08/2020

Text incipit
Composer
Reference source: P-Cug MM 012, ff. 166v-172r
Musical parameters: Sections/Movements Voices Mensuration Clefs Signature Final

2. Et exsultavit
4
a c1c2c4f4 -
E

4. Quia fecit
2
e c2f4 -
E

6. Fecit potentiam
4
a c1c2c4f4 -
E

8. Esurientes implevit
3
e c1c4f4 -
E

10. Sicut locutus
4
a c1c2c4f4 -
E

12. Sicut erat
3
e c1c3f4 -
E
Edition: Score Commentary
Editor
Other modern editions: Ferreira 2008, ii, pp. 75-81 (ed. O. Rees)
Ferreira, Manuel Pedro, ed, Antologia de música em Portugal na Idade Média e no Renascimento, 2 vol. (Lisboa: Arte das Musas, CESEM, 2008)
Bibliography: Alvarenga, João Pedro d’, “Some Identifying Features of Late Fifteenth- and Early Sixteenth-Century Portuguese Polyphony”, in Musical Exchanges, 1100-1650: Iberian Connections, ed. by Manuel Pedro Ferreira, Iberian Early Music Studies, 2 (Kassel: Reichenberger, 2016) pp. 165-90

Rees, Owen, Polyphony in Portugal c.1530-c.1620: Sources from the Monastery of Santa Cruz, Coimbra, Outstanding Dissertations in Music from British Universities (New York & London: Garland, 1995), p. 77
Sources including this piece: Source Location in source Attribution and other inscriptions Notes

P-Cug MM 012
ff. 166v-172r

Uasco pirez :- Quartus tonus

—

P-Cug MM 012
f. 186v

Do. 4. to. v. piz.

Verse 2 only, S and T parts

P-Cug MM 032
ff. 60v-63r

—

—

P-Ln CIC 60
ff. 27v-30r

—

Verses 4, 8, and 12 only; —; Verse 2 only, S and T parts; —; Verses 4, 8, and 12 only

Sections/Movements	Voices	Mensuration	Clefs	Signature	Final
2. Et exsultavit	4	a	c1c2c4f4	-	E
4. Quia fecit	2	e	c2f4	-	E
6. Fecit potentiam	4	a	c1c2c4f4	-	E
8. Esurientes implevit	3	e	c1c4f4	-	E
10. Sicut locutus	4	a	c1c2c4f4	-	E
12. Sicut erat	3	e	c1c3f4	-	E

Source	Location in source	Attribution and other inscriptions	Notes
P-Cug MM 012	ff. 166v-172r	Uasco pirez :- Quartus tonus	—
P-Cug MM 012	f. 186v	Do. 4. to. v. piz.	Verse 2 only, S and T parts
P-Cug MM 032	ff. 60v-63r	—	—
P-Ln CIC 60	ff. 27v-30r	—	Verses 4, 8, and 12 only