E-Boc 5
Updated on 18/08/2020- Full reference
- Short description
- Digital reproduction
- Notes
Part 1 (copied in Italy) contains Franco-Flemish music; part 2 contains Iberian music (some of Catalan origin). Ros-Fábregas (2017) points to the Catalan composer Marturià Prats as the final compiler.
- Bibliography
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Anglés, Higinio, ed, La Música en la Corte de los Reyes Católicos. I. Polifonía religiosa, Monumentos de la Música Española, 1 (Madrid: Consejo Superior de Investigaciones Científicas, Instituto Diego Velázquez, 1941), p. 115Ros-Fábregas, Emilio, “Manuscripts of Polyphony from the Time of Isabel and Ferdinand”, in Companion to Music in the Age of the Catholic Monarchs, ed. by Tess Knighton (Leiden, Boston: Brill, 2017) pp. 404-68Ros-Fábregas, Emilio, “Script and Print: The Transmission of Non-Iberian Polyphony in Renaissance Barcelona”, in Early Music Printing and Publishing in the Iberian World, Iain Fenlon and Tess Knighton (Kassel: Reichenberger, 2006) pp. 305–11Ros-Fábregas, Emilio, “The Manuscript Barcelona, Biblioteca de Catalunya, M. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Traditions” (unpublished Ph.D. dissertation, The City University of New York, 1992), pp. 179-85
- Works in this source
Location in source Title Composer f. 96r O bone Jesu Anchieta, Juan de f. 65v O rex meus et Deus meus Milans
Spain, Barcelona, Centre de Documentació de l'Orfeó Català, Ms. 5
Choirbook, manuscript on paper, early 16th century.